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Russia's 19th-century cultural legacy is overwhelming, with outstanding achievements in the fields of literature, architecture, ballet, musical composition and performance. The St Petersburg Imperial Ballet school produced dancers Anna Pavlova and Vaslav Nijinsky and choreographers Marius Petipa and Mikhail Fokine. The Ballets Ruse took Paris by storm in 1909, and later glories belonged to the Kirov and Moscow's Bolshoy companies, though a string of defections thinned their ranks. Concertos, symphonies and orchestral works have issued from household names such as Rimsky-Korsakov, Tchaikovsky, Rachmaninov, Stravinsky and Shostakovich.

Russia's most characteristic architectural feature is its onion-domed churches, which evolved when the wooden churches of the north were translated into brick and colourful tilework. In the world of art, religious icons, futurism and revolutionary graphic art are instantly recognisable Russian forms. Cinema has always been an important art form and leisure pursuit, the revolutionary period best represented by Sergey Eisenstein's iconic Battleship Potyomkin and Ivan the Terrible; the recent past in the overtly symbolic work of Andrei Tarkovsky. Folk culture is remembered in the heroic stamping dances of the Georgian State Dance Company, regional embroidery and woodcarving, Russian dolls and the carved wooden houses of the east.

Russian is the language of state business and the native tongue of over half the population. Central Asian populations speak Turkic and are Muslim. Although communism and religion were not the best of bedfellows, the Russian Orthodox Church survived and is a growing entity in today's Russia; unfortunately, the Jewish population has favoured emigration because of intransigent anti-Semitism.