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Home > Africa > Zimbabwe
Culture

Artists are highly esteemed in Zimbabwean society and a greater percentage of artists make a viable living from their trade than in most other countries. In fact, Zimbabweans seem to take a measure of artistic talent for granted. Traditional arts, most of which are still practised, include pottery, basketry, textiles, jewellery and carving. Perhaps most notable for their quality and beauty are the symmetrically patterned woven baskets and stools carved from a single piece of wood. Shona sculpture, a melding of African folklore with European artistic training, has been evolving over the past few decades. One recurring theme is the metamorphosis of man into beast, the prescribed punishment for violations such as making a meal of one's totem animal. Most of the work is superb and a few Zimbabwean sculptors are recognised among the world's best.

Zimbabwean's mesmerising music has always been an important part of its cultural life. African legends are punctuated by musical choruses in which the audience participates, and social events (such as weddings, funerals, harvest and births) are each accompanied by unique songs. Traditional musical instruments include the marimba, a richly-toned wooden xylophone and the mbira, a cute plinky-plonky device more commonly known as a thumb piano. The oddest percussion instrument used in Zimbabwe are the mujejeje ('stone bells'). Many stones in granite outcrops around the country have exfoliated in such a way that when struck, they resound with a lovely bell-like tone (Zimbabwe's first rock music? - ouch). Harare is one of Africa's great musical centres, attracting South African exiles and indigenous musicians performing variations on Chimurenga music, inspired by the wars of independence.

Between 40% and 50% of Zimbabweans belong to Christian churches, but their belief system is characterised more by a hybrid of Christian and traditional beliefs than by dogmatic Christianity. The Mwari cult, a monotheistic animist belief system which entails ancestor worship, and spiritual proxy and intercession, is the dominant non-Christian religion. Mwari, the unknowable supreme being, speaks to his human subjects through The Voice of Mwari, a cave-dwelling oracle who is most often female. The oracle serves as an intercessionary between the spirits, the god and the people, especially in cases of natural disaster or outside aggression. It was the oracle, in fact, who received the go-ahead to begin the First Chimurenga (rebellion) in 1896.

English is the official language of Zimbabwe, but it is a first language for only about 2% of the population. The rest of the people are native speakers of Bantu languages, the two most prominent of which are Shona, spoken by 76% of the population, and Sindebele, spoken by 18%. Although most urban Zimbabweans have at least a little knowledge of English, once you're out in the sticks, a few words of Shona or Sindebele will go a long way. Annoying co-travellers can be swiftly despatched by dedicated practising of the Sindebele 'clicks', made by drawing the tongue away from the front teeth, slapping it on the roof of the mouth, or drawing it quickly sideways from the right upper gum.

Zimbabwean cuisine is mostly the legacy of bland British fare combined with normally stodgy African dishes. The dietary staple is sadza - the white maize meal porridge upon which most local meals are built. The second component is nyama - meat, usually beef or chicken, but also crocodile, kudu and impala. Fruit and vegetables are limited, but don't miss gem squash, a delicious type of marrow.

The alcoholic tipple of the masses is chibuku, 'the beer of good cheer'. Served up in buckets which are passed between partakers, it has the appearance of hot cocoa, the consistency of thin gruel and a deceptively mellow build up to the knockout punch. It's not at all tasty. Chibuku is drunk mainly in high-density township beer halls - a distinctly male social scene. Coffee addicts who want to kick the habit should think about a holiday in Zimbabwe. Although coffee is grown in the Eastern Highlands, it's mostly for export and there's not a Gaggia in sight. Most of what passes for coffee is an abomination known as Daybreak, a revolting blend of 10% instant coffee and 90% chicory.

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